Saturday, September 30, 2017

Episode 318: The Lizzie McGuire Movie

Hey, folks! It's time for a very special new episode of Mousterpiece Cinema. Scott and Josh are closing out the month of September with a first: our first episode title requested by one of our Patreon pledges! And yes, you read the title correct: we're talking about the 2003 feature film The Lizzie McGuire Movie, based on the Disney Channel show starring Hilary Duff. Would you believe that this movie inspires some of the more spirited debate between Scott and Josh? Who's on the side that argues this is a charming and light depiction of a tweenage girl falling in love with the experience of traveling to Rome? Who thinks the film's too light to even be a theatrical feature? And who thinks Skype is the true trickster here for the various audio issues at play during the episode? (Sorry, but fair warning.) Listen to the new show to find out the answers to these and more questions!

Saturday, September 23, 2017

Episode 317: The Shaggy Dog (2006)

Hey, friends! It's time for a new episode of Mousterpiece Cinema, and this week, Scott and Josh are headed, once again, for the dogs. Well, for a dog. A shaggy one, specifically. Yes, on the new episode of the podcast, Scott and Josh wrap up their discussion on the series of feature films all about The Shaggy Dog. This time, they're discussing the 2006 remake starring Tim Allen, Kristin Davis, Robert Downey, Jr., and...wait, Robert Downey, Jr.? Yes, really, before he was Tony Stark, RDJ was...barking like a dog at one point in this movie. Is it an improvement on the original? Dumber than the sequel? Overly conventional? Or is this one...a real howler? Find out on the new show!

Saturday, September 16, 2017

Episode 316: Aladdin

It's time once more to fly to a whole new world, friends. On this week's episode of Mousterpiece Cinema, Josh and Scott are revisiting one of the most beloved modern Disney animated films, Aladdin. The 1992 film celebrates its 25th anniversary this fall, and is now being remade as a live-action/computer-animated hybrid starring Will Smith. So what better time than now to discuss the film, and whether it works as well as other Disney Renaissance films after all these years? Are the lead characters too dull for this film to work? Do the villains stand out as much as the Genie does? Does the plot make enough sense, or is Josh too focused on the nuts and bolts to be swept up off his feet? Find out on the new show!

Saturday, September 9, 2017

Episode 315: Three Men and a Little Lady

Hey, friends! It's time for a new episode of Mousterpiece Cinema, and this week, Josh and Scott are going old school. Well, Josh is, at least, because he busts out at least one rap during this week's discussion of the 1990 sequel Three Men and a Little Lady. Despite Scott's horror at this turn of events, there's sadly good reason to invoke old-school rapping in this discussion of the sequel to Three Men and a Baby. Though they're guest-free this week, Josh and Scott are both able to dig into this sequel and its many, many problems. Yes, even though Scott was higher on the original than Josh was, both of your hosts found lots of faults with this follow-up. Should the film have focused more on the 5-year old Mary? Is the Nancy Travis character too stupid to function? And how does Scott's Michael Caine impression measure up to anyone else's? Find out on the new show!

Saturday, September 2, 2017

Episode 314: Jackie Brown

Hey, friends! Head on over across 110th Street, because it's time for a new episode of Mousterpiece Cinema. This week on the show, Josh and Scott invite friend of the show Jason Bailey of Flavorwire to help commemorate the 20th anniversary of Quentin Tarantino's Jackie Brown, based on the Elmore Leonard novel Rum Punch. This story of a flight attendant playing a con on ATF agents as well as a menacing gun-runner didn't get quite the fanfare of Pulp Fiction (also a Miramax release in the 1990s, back when Disney owned that studio, in case you're wondering why this movie counts!), but is it secretly Tarantino's best film? Should people give it more of a chance in 2017? Or is it more sluggish than expected? (Maybe Josh is the only one who thinks that.) Find out now!